Part 2 - From Solitude to Synergy; a Mosaic Within a Mosaic
‘I felt confident that the image was going to look cohesive…’
Completed squares of our collaborative artwork—a groundbreaking project in which nine artists worked remotely, without knowing what the final image would look like—began dropping through my letterbox. I begin assembling them with great relief that the image is taking shape and looks cohesive.
The image I created, a Lighthouse illuminating a stormy coastline was inspired by the art and process of making mosaics. The breadth of people who practice mosaics is as diverse as any artform I’ve ever been involved with. From children making Roman replicas on a school trip to contemporary art galleries showcasing stunning unique forms. Mosaicists populate a broad-church.
Still, a recurring theme comes up time and time again. Whenever I host workshops or speak to groups about my work, one phrase is almost always expressed: “This is so therapeutic.” I’m sure this sounds familiar. And while that sentiment is beautiful, it has unintentionally led some to think of mosaics as a craft rather than an art—perhaps because our materials are often associated with practicality rather than pure expression.
For anyone who has ever tried to sell a mosaic, this misconception may have crossed your mind once or twice. It can be frustrating. The practical use of an artist’s raw materials shouldn’t dictate the categorisation of the artform—especially when that isn’t the intent. In a post-postmodern world, where art can be validated simply by declaration, skill and mastery have regrettably taken a backseat. But perhaps it’s time to blow the horn for mosaicists worldwide.
In my experience there are no gatekeepers in our dusty little world. All the information is out there and freely available. Across the globe you’ll find people making mosaics many of which love working in groups and for some; a mosaic group may be the only chance that day for human interaction. With this in mind, the Lighthouse symbolism becomes clear with a secondary mission of showcasing many different styles and materials which you can use, celebrating the richness of our community.
The feedback we’ve received since releasing the piece has been humbling. The amount of positive messages we’ve received has far exceeded anything I’ve encountered in my solo work.
Similar projects will now take place annually, under the name Novem—Latin for “nine”—a gentle nod to the long, illustrious history of mosaic art. Leading eight other artists has been an honour. Who would have thought that surrounding yourself with ultra-talented people, all of whom believe the work itself is the star, would be so simple, and the outcome so beautiful.
We are looking for a temporary home, preferably in coastal regions, to celebrate this piece. Please reach out if you have any suggestions of contacts: michael@brokenstonemosaics.co.uk
Novem are:
1. Lou Cross (@loucrossmosaics)
2. Angus (@angusarts85)
3. Nikki Edwards (@nikki_edwards_studio_london)
4. Me, Michael Henry (@brokenstonemosaics)
5. Erol Osman (@eos.ceramics)
6. Dionne Ible (@qemamumosaics)
7. Dimitra Colomvakou (@mosaicart_greece)
8. Alison Turner (@alisonturnermosaics)
9. Selina (@eco_beach_crafts)
